Come to the audition
An audition class, not a performance. Dancers learn a combination, take corrections and show us how they take direction. We are watching coachability as much as technique.
Our audition-based competitive team, named for the year it all began. Elite coaching, regional and national competition, and a bond that lasts far beyond the final music. Real accountability, and a team that shows up for one another.

By audition
Company 91 is the most demanding thing we offer, and it is still Sterling Silver. The standard is high. The way we talk to dancers is not.
Team members train year-round, commit to a summer schedule, and travel to regional competitions with a shot at nationals for qualifying routines. It costs real money and real weekends, and we will be straight with you about both before you commit.
What it gives back is harder to price. Dancers learn to be corrected in public and come back sharper. They learn that the team result depends on the person next to them. Those habits outlast every trophy in the case.
Auditions are open to Sterling Silver dancers and to dancers from other studios. You do not need to train here first.
An audition class, not a performance. Dancers learn a combination, take corrections and show us how they take direction. We are watching coachability as much as technique.
Every dancer who auditions hears from us directly. Dancers not placed this year get specific, usable notes on what to build before the next one.
Technique intensives and choreography camp. This is where the season is actually built, long before the first competition floor.
Year-round training, regional competitions, and for qualifying routines, nationals. Plus the recital, because Company dancers perform at home too.

Tuition, costume and competition fees are laid out in writing before you accept a spot. No surprise invoices mid-season. Ask us for the full sheet at the audition.
Sterling Silver offers a safe and accepting place for my son to be his authentic self while doing what he loves. The coaches have been amazing and patient when he has needed a sensory break or an adapted way of learning a skill.
Lisa H. · Dance parentTell us where she trains now and what she is working on. We will tell you what the audition looks like and whether this is the right year for it.